Rimmel Exaggerate vs Rivals: Waterproof Liner Showdown Now

The Rimmel Exaggerate Waterproof Eye Definer in 262 Blackest Black and in 212 Rich Brown share the same retractable waterproof formula in two essential shades. Blackest Black is the dramatic classic. Rich Brown is the softer everyday option. We compared them on pigment, wear, versatility, and best use.
| Factor | Rimmel Exaggerate Waterproof Eye Definer | Rimmel Exaggerate Waterproof Eye Definer |
|---|---|---|
| Shade | 262 Blackest Black | 212 Rich Brown |
| Intensity | Maximum drama | Soft definition |
| Finish options | Creamy matte to metallic | Creamy matte |
| Waterproof wear | Up to 10 hours | Up to 10 hours |
| Best for daytime | Good | Excellent |
| Best for evening | Excellent | Good |
| Beginner friendly | Moderate | Very forgiving |
| Built-in smudger | Yes | Yes |
Our Verdict
Choose 262 Blackest Black if you want bold, dramatic definition for wings, tightlining, and evening looks. Choose 212 Rich Brown if you prefer softer daytime definition that flatters without harshness. Both deliver the same creamy glide, waterproof wear, and handy built-in smudger, so the winner depends on your style and the occasion. Keep both in your kit if you can, since black and brown cover every occasion between them.
Black vs Brown: The Daytime Decision
Blackest Black and Rich Brown are not just intensity levels, they are different makeup philosophies. Blackest Black delivers maximum drama: it defines the eye starkly, photographs boldly, and suits evening looks and strong features. Rich Brown delivers soft definition: it shapes the eye without announcing the liner, making it the superior daytime and professional option. The beginner ratings reflect this: brown is very forgiving because mistakes blend into softness, while black shows every wobble.
The eye-color dimension: brown liner flatters blue and green eyes by warming the contrast, while black intensifies the contrast dramatically, which suits evening but can overwhelm daytime. Brown is also the mature-eye pick: softer definition does not emphasize lid texture the way stark black does. The rule of thumb is brown for the office and daylight, black for evenings and photography, with the built-in smudger on both letting you soften either into a smoky line. Our Exaggerate smudge-proof guide details the tips that keep either shade locked all day.
The Lower Lash Line: Honest Rules
Lining the lower lashes ages the eye when done heavily and defines it when done lightly, and the line between is specific. Full dark liner along the entire lower lash line closes the eye and reads harsh, particularly on mature or deep-set eyes. The flattering methods: tightline the lower waterline lightly for definition without the harsh edge; or line only the outer third of the lower lash line and smudge it, which opens rather than closes; or skip the lower line entirely and let mascara do the work.
Placement decides the effect: waterline placement defines intensely but can shrink the eye; lash-line placement just below the lashes defines softly; below the lash line with smudging creates the smoky effect. The raccoon-eye prevention routine: waterproof formula, which these are; set the lower line with matching eyeshadow; and avoid lining the lower waterline on long or humid days, when migration is guaranteed. The brown shade is the safer lower-line choice: its softness forgives the placement errors that black punishes.
Retractable Pencils: The Blunting Problem
Retractable pencils trade the sharpener for convenience, and the trade has a cost: the tip blunts with use and cannot be sharpened back to a point. A fresh retractable tip draws a precise line; after a week of use, the same pencil draws a thicker, softer line. The workaround is rotation: twist up only the smallest usable amount, which minimizes the blunting surface, and accept that retractable precision degrades gradually.
For work requiring sustained precision, like sharp wings or tightlining, the retractable format frustrates: the tip is never as fine as a freshly sharpened traditional pencil. The format's strengths are elsewhere: no sharpener to carry, no product wasted in sharpening, and the built-in smudger both models include, which turns the blunting into a feature for smoky looks. If precision is paramount, a traditional sharpenable pencil beats any retractable; if convenience wins, the retractable's gradual softening is the price. Never attempt to "sharpen" a retractable with a regular sharpener; it destroys the mechanism.
Contact Lens Wearers: The Specific Protocol
Eyeliner and contact lenses interact, and the protocol prevents the gritty-lens misery. Insert lenses before applying any eye makeup: liner applied first risks transfer to the lens during insertion, and fingers near the eye after makeup contaminate the lens. Tightline with care: the waterproof formula near the lash roots can migrate onto the lens edge, so keep the product on the roots, not the waterline, and blot any excess immediately.
Remove lenses before removing makeup, so remover and dissolved pigment never touch the lens surface. The formula migration to watch: creamy waterproof pencils can leave a film that blurs lenses if applied heavily on the waterline; the Rich Brown's softer application actually migrates less visibly than the Blackest Black's heavy deposit. If lenses consistently feel gritty after liner days, switch the waterline to bare and keep all liner on the lash line. Dry-eye lens wearers should favor the minimal effective application: the less product near the eye, the fewer particles to irritate. Our waterproof pencil guide covers more smudge-proof options with lens-wearer notes.
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